| Over
the last years my "Color Photography" has been primarily monochromatic
tinting of prints. An assemblage of these pieces would create a multicolored
collage. The reasoning was more practical than theoretical. I simply could
not find the correct 'internal architecture' to apply color within one print.
The sketching process of reworking the scans on my computer gave evidence
that I no longer was forced into 'collaging' to achieve different results,
but could work directly into the piece if the structures allowed it. |
